• Publish date: Tuesday، 11 July 2023


“This season, we wanted to concentrate on the achievement of fluidity, drape and shape through
couture techniques, bringing these elements together with the attitude of today,” says Kim Jones,
Artistic Director of FENDI Couture and Womenswear. “We worked on a template based on Delfina’s
high jewellery. If there is no jewellery, the idea is still present through the colour palette and
embellishment in the collection; the clothes themselves take on the idea of jewellery. Colours come
from flesh tones as well as that of stones: black diamonds, rubies, sapphires. There is a play of soft
and hard, flesh and stone.”
“There is an emotional relationship that I have with the jewellery in the collection that I hope the
women who will eventually wear it will have too,” says Delfina Delettrez Fendi, Artistic Director of
Jewellery for FENDI. “There is an obsessive precision you need to make jewellery like this, such small
objects that have such strength, meaning and personality. And yet, in the end, they have a direct and
intimate relationship to the body; they are a profound and personal extension of the woman.”
This season, Kim Jones and the craftspeople of the FENDI ateliers continue to make couture traditions
both human and approachable, light with a sense of volume, fluidity, drapery and ease for the wearer.
Eschewing ‘costume’ and embracing a softer, more yielding feeling of agency for the woman in the
clothing, a suppleness is sought and expressed both in terms of flexibility in how clothing is worn –
seen particularly in the outer corset motif – and actuality in how it feels.
There is an idea of simplicity with hidden intricacies in the collection; much is about volume, drape
and sculptural shape achieved through complex and rigorous pattern cutting, with garments often
realised with only a single seam. This is a bravura achievement whispered instead of shouted in
second-skin silks, alongside single-piece intricate knits and draped, neoprene tailored furs and FENDI
chevron feathered shearlings, where ultimately, it is not only about the spectacle of looking but the
reality of wearing.
Precision and emotion, the real and the refined are also found in Delfina Delettrez Fendi’s approach
to high jewellery that exists symbiotically with the collection. In this debut proposition of one-off
pieces, the idea of the couture ensemble is extended to that of jewellery. At once timeless and saying
something of today, in a FENDI colour palette of exceptional white and yellow diamonds together
with green, orange and pink Padparadscha sapphires and spinels. The collection of pink spinels
alone, that feature in the ‘Undarum’ set, took forty years to gather together and will probably never
be replicated in nature again.
The discreetly multifaceted nature of this couture collection reaches a crescendo in embroidery
techniques that unite the clothing and jewellery worlds. While clutching their jewel box minaudière,
the mood builds with models scattered with jewel-like embellishments or layered with a stratification
of intricate stacked tonal paillettes and stones at the closing of the show. To achieve the glittering
rose glow of the final look, it took 1200 hours of handwork.
The soundtrack to the show is Klaus Nomi’s ‘The Cold Song.’ Based on Henry Purcell’s English Baroque
original from the seventeenth century, it too reflects the emotion and precision of the collection and
of the couture itself, where the past becomes the basis for a New Wave present and future.